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Columns in Journalism

Mar 20, 2026

Columns in Journalism

1. Definition

A column is a regularly appearing article in a newspaper, magazine, or online publication, usually written by the same author (called a columnist).

Unlike straight news reporting, columns reflect the writer’s opinions, analysis, or personal perspective on current events, social issues, or cultural topics.

2. Purpose

To provide interpretation and commentary beyond factual reporting.

To establish a distinct voice or personality within the publication.

To engage readers with opinions, insights, and arguments.

To stimulate public debate and discussion.

3. Characteristics

Regularity: Appears on a fixed schedule (daily, weekly, monthly).

Authorship: Written by a named columnist, often with a recognizable style.

Subjectivity: Expresses opinions, unlike news reports which are objective.

Topicality: Focuses on current issues, trends, or events.

Personal voice: Conversational, persuasive, or reflective tone.

4. Types of Columns

Type

Focus

Opinion/Editorial Columns

Commentary on politics, society, or public affairs.

Humor Columns

Satirical or light-hearted takes on events.

Advice Columns

Guidance on personal, social, or professional issues.

Specialized Columns

Cover niche topics like sports, fashion, technology, or health.

Personality Columns

Showcase the columnist’s unique perspective or experiences.


5. Role in Journalism

Adds diversity of voices within a publication.

Provides analysis and interpretation that news stories cannot.

Builds reader loyalty through consistent style and viewpoint.

Influences public opinion and policy debates.

6. Structure of a Column

Headline: Catchy, often witty or provocative.

Lead/Opening: Engages the reader, sets the tone.

Body: Develops argument, analysis, or narrative.

Conclusion: Summarizes or leaves readers with a thought-provoking idea.

7. Example (Hypothetical)

A columnist writing about climate change might:

Begin with a personal anecdote about unusual weather.

Present facts and statistics to support their viewpoint.

Critique government policies.

WORLD STORYTELLING DAY

On World Storytelling Day, we celebrate the timeless art of sharing stories — tales that connect hearts, bridge divides, and give voice to those often unheard.

At Tinka Jail Radio, storytelling takes on a truly transformative role. Behind prison walls, voices find freedom through words, songs, and narratives. These stories are not just entertainment — they are windows into resilience, hope, and humanity.

The books by Dr. Vartika Nanda carry this mission forward, weaving together narratives of reform, empathy, and justice. Her work reminds us that storytelling is not confined to pages; it is a living, breathing force that can change lives.

Through the Tinka Tinka Foundation, storytelling has been reimagined in an exclusive format — one that empowers incarcerated individuals to narrate their journeys, reflect on their past, and envision brighter futures. This is storytelling with purpose, storytelling that heals.

Adding to this powerful movement, NBT’s Radio in Prison initiative amplifies these voices, ensuring that stories from within reach the world outside. It is a pioneering step in using radio as a bridge — connecting society with those who are often forgotten.

On this World Storytelling Day, let us honor these unique formats of storytelling that go beyond tradition. Let us celebrate the courage of voices rising from silence, and the platforms that make them heard.

Stories are not just told — they are lived, shared, and remembered. And sometimes, the most powerful ones come from the places we least expect.




Backgrounders in Journalism

1. Definition

A backgrounder is a detailed, factual document prepared by organizations, institutions, or PR professionals to provide journalists with contextual information about an issue, event, policy, or personality.

Unlike press releases, backgrounders are not breaking news but serve as reference material.

2. Purpose

To inform and educate journalists about complex topics.

To provide depth and context that helps reporters write accurate, balanced stories.

To establish the organization as a credible source of information.

To ensure consistency of facts across media coverage.

3. Characteristics

Comprehensive: Covers history, causes, implications, and current status.

Neutral tone: Avoids overt persuasion; focuses on facts.

Structured: Organized logically for easy reference.

Supplementary: Often accompanies press releases, speeches, or announcements.

4. Typical Contents

Section

Description

Introduction

Brief overview of the issue/event.

Historical Background

Origins, timeline, and evolution.

Current Situation

Present status, statistics, and facts.

Key Players

Organizations, individuals, or stakeholders involved.

Implications

Social, economic, political, or cultural impact.

Supporting Data

Charts, tables, references, or official documents.

Conclusion

Summary of key points and possible future developments.


5. Types of Backgrounders

Issue-based: Explains a social, political, or economic issue.

Event-based: Provides context for upcoming or past events.

Profile-based: Gives detailed information about a person or organization.

Policy-based: Explains government or institutional policies in detail.

6. Role in Journalism

Helps journalists avoid superficial reporting.

Provides ready-made factual material for articles.

Acts as a bridge between PR and media.

Encourages informed public discourse by ensuring accuracy.

7. Example (Hypothetical)

If a university launches a new scholarship program:

Press Release: Announces the scholarship.

Backgrounder: Explains the history of scholarships at the university, funding sources, eligibility trends, and the broader impact on higher education access.


Mar 17, 2026

Tinka Tinka Foundation recognised by the Ministry of Women & Child Development, Government of NCT Delhi: 17 March, 2026:

 

17 March, 2026: The Ministry of Women & Child Development, Government of NCT Delhi recognised the efforts of Tinka Tinka Foundation today and made a special mention of it during the ‘Nari Utsav’programme that was held at the Nirmal Chhaya Complex with Rekha Gupta, CM, Delhi as the Chief Guest. Vartika Nanda, Founder of Tinka Tinka Foundation was honored by Dr. Rashmi Singh (IAS), Secretary, WCD. 



Mar 13, 2026

Online Poster Presentation on “Women & the Society” : 13 March, 2026

Event Report: Online Poster Presentation on “Women & the Society”

An online poster presentation on “Women & the Society” was organised by Tinka Tinka Foundation on 13th March, 2026, to encourage meaningful academic engagement with issues related to gender, social justice, and women’s rights.

The event provided a platform for participants from different academic backgrounds to present research-based and creative poster work addressing diverse dimensions of women’s experiences in society. The presentation aimed to promote critical dialogue, visual communication, and sensitivity towards structural inequalities affecting women.

A number of entries were received following the call for submissions, out of which six posters were selected for presentation during the online session. The selected participants presented their work before the organisers, highlighting themes related to gender awareness, representation, rights, and social challenges.

The event also contributed to strengthening research orientation and presentation skills among participants while creating space for interdisciplinary discussion on contemporary social concerns. Certificates are provided to the selected participants, and their work is added here for wider recognition through the foundation’s platform.

Dr. Devender Kakkar (Retd Faculty , Delhi University), Jaideep Karnik (Head, Digital Media, Amar Ujala), Nitin (bureaucrat) and Professor Vartika Nanda were the jury. We are sharing the selected posters here.

1. Harpreet Kaur from Punjabi University, Patiala









2. Pooja Goswami, Hansraj College, University of Delhi

3. Gagandeep Kaur, Sri Guru Tegh Bahadur Khalsa College, University of Delhi

4. Tanzida Parvez Oishe, Lady Shri Ram College, University of Delhi

5. Muskan Giri, Lady Shri Ram College, University of Delhi

6. Indrani Bhadra, Guru Gobind Singh Indraprastha University, Delhi 

Mar 3, 2026

Special interaction at Dainik TRIBUNE, Chandigarh: 2 March, 2026

 ।।।शुक्रिया दैनिक ट्रिब्यून।।।

साल 1987। दैनिक ट्रिब्यून में जालंधर दूरदर्शन पर एंकर किए जाने वाले बच्चों के कार्यक्रम पर कई सुंदर टिप्पणियां. 1988 और 1990 में रविवारीय पेज पर बड़े इंटरव्यू, 1993 में मेरी लिखी कहानी- सितारों भरा आशमान- को दैनिक ट्रब्यून की कहानी प्रतियोगिता में पहला पुरस्कार, 2013 से आज तक तिनका तिनका पर अनगिनत स्टोरीज, 2025 में अखबार के इतिहास में पहली बार किसी जीवित व्यक्ति पर एक पूरे पेज की कवरेज। इसी दैनिक ट्रिब्यून में आज यादों का बड़ा पिटारा खोलने और संवाद का अनूठा अवसर मिला। शुक्रिया संपादक Naresh Kaushal जी की आपने मुझए इस सम्मान के योग्य समझा। मीनाक्षी लेखी जी, अरुण नैथानी जी और केवल जी समेत चैनिक ट्रिब्यन के कई पत्रकारों से सारगर्भित संवाद हो सका। चंडीगढ़ प्रवास सार्थक हुआ।  

नरेश सर आज से अपनी एक नई पारी शुरु कर रहे हैं। उनके लिए असीम शुभकामनाएं। 











Mar 1, 2026

Online Poster Presentation on “Women & the Society” : 8 March, 2026

Tinka Tinka Foundation is organising an Online Poster Presentation focused on Women & the Society, to encourage meaningful dialogue, research, and awareness around gender issues and social justice.

Key Dates

 • Last Date for Submission & Registration: 8th March

 • Notification of Acceptance: 10th March

 • Poster Presentation: 13th March

 • Mode: Online

Who Can Participate?

• Undergraduate Students

• Postgraduate Students

• Research Scholars

• Practitioners

Registration Fee: ₹200

Perks

• Certificates for all participants

• Selected posters will be featured on the Foundation’s website

For queries:

Email: tinkatinkaorg@gmail.com

Phone: 9811201839

This is a great opportunity to contribute to conversations that matter and showcase your research and creative expression.





Feb 26, 2026

Podcasting Landscape: Formats and Style of Podcasts at IIMC: 26 February, 2026

Conducted a workshop on - Podcasting Landscape: Formats and Style of Podcasts- at
the Department of New Media Communication, IIMC, New Delhi. It was a wonderful experience
to share my insights with nearly 30 students pursuing Masters in New Media Communication. Grateful to Professor
Anubhuti Yadav for this opportunity.
Remembered my days as Associate Professor at IIMC from 2003 to 2006, after which I had joined
Lok Sabha TV as the first Executive Producer of the channel. 


Feb 24, 2026

21 Feb, 2026: State Women’s Commission, Madhya Pradesh & TTF: Central Jail, Jabalpur (Madhya Pradesh)

 Introduction:

On 21 February, 2026, the State Women’s Commission, Madhya Pradesh in collaboration with the Tinka Tinka Foundation organised a special visit and interaction at the historic Netaji Subhash Chandra Bose Central Jail, Jabalpur.

Built in 1854, this prison is among the oldest in India and stands as a living archive of colonial history, freedom struggle memories, and contemporary reform practices. The visit offered a deep engagement with the jail’s legacy, infrastructure, industries, and the lived realities of its inmates.



Feb 19, 2026

Kissa Khaki Ka Dissertation: 2026

 


19 February 2026: During the poster presentation segment - Elenchus- organized by the Department of Political Science as part of the Annual Academic Meet, Polpourri 2026, Surbhi Suman presented her research titled “Podcast as an Instrument of Awareness on Crime: A Case Study on Kissa Khaki Ka by Delhi Police.” The study examines how the Delhi Police podcast functions as a medium of crime awareness and institutional communication, fostering public engagement and trust. The research was conducted under the supervision of Professor (Dr.) Vartika Nanda, who attended the session to provide academic guidance. She has conceptualised the podcast series Kissa Khaki Ka and is the official storyteller of Delhi Police. 
Alongside participants from other disciplines, a total of seven students from the Department of Journalism also presented their research posters at the event. Additionally, Dr. Swasti Rao visited the session to review and interact with the presenters, offering valuable academic insights.

The event facilitated scholarly exchange by allowing students to explain their research objectives, methodology, findings, and implications in a concise and visually structured format. The format enabled interactive discussion, critical questioning, and constructive feedback from faculty members and peers.





World Radio Day, Makhanlal Chaturvedi National University of Journalism and Communication, Bhopal: Radio in Prison: February 13, 2026

 

13 FEB: विश्व रेडियो दिवस 13 फरवरी 2026 के अवसर पर माखनलाल चतुर्वेदी राष्ट्रीय पत्रकारिता एवं संचार विश्वविद्यालय ने अपने कम्युनिटी रेडियो स्टेशन, 'रेडियो कर्मवीर 90.0 FM' का  रीलॉन्च किया गया। इसके आयोजन का श्रेय कुलपति श्री विजय मनोहर तिवारी को जाता है। रीलॉन्च के उपलक्ष्य में आयोजित दो दिवसीय कार्यशाला में प्रसार भारती के विख्यात उद्घोषक कमल शर्मा और रेडियो ब्राडकास्टर शेफाली चतुर्वेदी रहे। रेडियो कार्यशाला के लिए 30 सदस्यों का चयन किया गया था।

इस मौके पर एक विशेष बात यह हुई कि मेरी लिखी किताब- Radio in Prison की एक-एक प्रति सभी प्रतिभागियों को भेंट की गई। यह मेरे लिए बेहद गौरव की बात है। कुलपति श्री विजय मनोहर तिवारी ने मुझे सुंदर आश्चर्य दिया। पूर्व कुलपति श्री संजय द्विवेदी से यह तस्वीरें मुझे मिली हैं. किसी लेखक के लिए इससे सुखद क्या होगा।

यह किताब भारत के जेल रेडियो पर इकलौती किताब है। तिनका तिनका की जेल यात्रा का जरूरी हिस्सा है यह। इसका प्रकाशक National Book Trust India है। 

On the occasion of World Radio Day, February 13, 2026, Makhanlal Chaturvedi National University of Journalism and Communication relaunched its community radio station, Radio Karmaveer 90.0 FM. The Vice Chancellor, Prof. Vijay Manohar Tiwari, is credited with organizing this event. Renowned Prasar Bharati announcer Kamal Sharma and radio broadcaster Shefali Chaturvedi participated in the two-day workshop held to mark the relaunch. Thirty participants were selected for the radio workshop.

A special event on this occasion was that each participant was presented with a copy of my book, Radio in Prison. This is a matter of great pride for me. Vice Chancellor, Prof. Vijay Manohar Tiwari, presented me with a lovely surprise. I received these photographs from former Vice Chancellor, Prof. Sanjay Dwivedi. What could be more pleasing for a writer than this?

This book is the only book on prison radio in India. It is an essential part of Tinka Tinka's journey through prison. Its publisher is National Book Trust India.


  
 

Feb 17, 2026

Workshop: Observation Home for Boys: Government of Delhi & Tinka Tinka Foundation: 17 February, 2026

17 February, 2026: Creative Expression for Mental Well-being: An observation home in Delhi

The Tinka Tinka Foundation organized a workshop on “Mental Health through Communication and Creative Skills” at Adharshila Observation Home for Boys-II on 17 February in Delhi. The event, themed “Vande Mataram,” was designed to promote emotional expression and well-being through creative engagement.

After being shown a reference image, juvenile participants used their imagination to visually communicate thoughts and feelings that often remain unspoken, transforming their ideas into meaningful artworks. Children were sensitized to the concept and underlying objectives of the workshop, ensuring awareness about the role of communication and creative expression in mental health and rehabilitation.

About the Observation Home

The observation home accommodates boys in the 16–18 age group and has a sanctioned capacity of 150. Currently, nearly 280 children are residing in this institution. 15 Children in Conflict with Law were intensively engaged in the creative process, using the theme of the tri-colours to express their emotions, personal experiences, and aspirations.

Under the guidance of the Superintendent, Mr. Rahul Doon, and with the active support of welfare officers (Mr. Gurjant Singh, Mr. Hitesh Bhardwaj, Mr. Akshay Rathee), Counsellors (Ms. Anshika Rana, Ms. Esna Nanglia, Ms. Amita Jha), teacher (Mr. Rajesh), and institutional staff, the CCLs translated their thoughts into meaningful artworks, demonstrating insight, reflection, and creativity.

Dr. Rashmi Singh (IAS), Secretary, Women and Child Development, Government of Delhi, graced the occasion virtually and presented certificates of appreciation to the participating CCLs, acknowledging their sincere efforts and creative contributions.

Recognition

The workshop had a constructive and motivating impact, encouraging the children to integrate creative expression as a constructive coping within their rehabilitation journey. The programme was successfully conducted under the supervision of Mr. R.K. Yadav.

The winners were felicitated with awards and presented with copies of Radio In Prison, a book authored by Professor (Dr.) Vartika Nanda and published by National Book Trust, India. Moving forward, the foundation plans to establish a library within the home to promote reading, learning, and continued creative growth among the juveniles.


राजेश इस सेंटर में 2016 से कला और शिल्प शिक्षक हैं | उनका कहना है:

"ज़्यादातार बच्चे जो पेंटिंग सीखने आते हैं, वो या तो कम पढ़े लिखे होते हैं या अनपढ़ होते हैं | कला उन्हें आज़ादी देती है। उन्हें ये छूट देती है कि जो वो कहना चाहते है, वो रंगो या पेंसिल के जरिए कह दें। सबसे ज्यादा चौंकाने वाली वो तस्वीरे होती है जिसमें ये युवक अपने अपराध को चित्र के जरिए प्रस्तुत करते हैं | वो सीन ऑफ क्राइम को ड्रा करते हैं और अपनी कहानी को कैनवास पर बना देते हैं | कई बच्चे ऐसे भी हुए कि जब वो कोर्ट में सुनवाई के लिए गए तो वापस लौटने पर उन्होंने वहां पर जो देखा उसको उन्होंने ड्रा किया | कुल मिला कर इन बच्चों के जो अनुभव है, उन्हीं से इनकी बनाई हुई पेंटिंग्स प्रभावित होती है |"
Link: Creative Expression Offers Hope at Delhi Observation Home — Transcontinental Times

Post | LinkedIn














Feb 16, 2026

2026: Phase 1 of Kissa Khaki Ka from 16 January, 2022 to 16 January, 2026

2026: Phase 1 of Kissa Khaki Ka from 16 January, 2022 to 16 January, 2026

Delhi Police’s Landmark Podcast Kissa Khaki Ka Celebrates 4 years of its inception: Storytelling Initiative Marks a Milestone in Public Service Communication

  • Launched on 16 January, 2022, Kissa Khaki Ka has achieved the milestone of completing 4 years, narrating 206 stories till now, making a record in the world of podcasting by a police department.
  • Kissa Khaki Ka shares untold stories that blend human experiences with law enforcement, thus bridging the gap between the police and the citizens. It is now a brand of Delhi Police.
  • The podcast is prepared by the social media team of Delhi Police under the guidance of Shri Satish Golcha, Police Commissioner, Devesh Srivastva, Special CP Crime and Shri Sanjay Tyagi, Additional Commissioner, Delhi Police 
  • Stories are narrated by media educator, Professor (Dr.) Vartika Nanda who has been working on prison reforms through her Tinka jail radio in different jails across India. She heads the Department of Journalism at Lady Shri Ram College, Delhi University.

From a man planning to sell tortoises illegally to a woman facing digital arrest, stories of crime and humanity are given a platform by an extraordinary podcast series- Kissa Khaki Ka. Kissa Khaki Ka is a Delhi Police run podcast series, offering a rare and compelling window into real-life crime-solving, rescue operations and humanitarian services performed by Delhi Police personnel. This pioneering podcast has achieved a significant milestone by completing four years, marking an extraordinary journey of storytelling, public service and constructive journalism. Kissa Khaki Ka began its journey on 16 January, 2022, under the leadership of Rakesh Asthana, then Commissioner of Police, Delhi, took a new leap under the leadership of Sanjay Arora, the next police commissioner and now Satish Golcha, present police commissioner. It is narrated by Professor (Dr.) Vartika Nanda, a renowned media educator and prison reformer, head, Department of Journalism at Lady Shri Ram College, Delhi University. She had conceptualised this series in 2022. The podcast continues to redefine how law-enforcement connects with citizens. 

About the Podcast: Kissa Khaki Ka stands as India’s only police-run podcast, offering a rare and compelling window into real-life crime-solving, rescue operations and humanitarian services performed by Delhi Police personnel. This pioneering podcast of the Delhi Police, has achieved a significant milestone by completing 200 episodes, marking an extraordinary journey of storytelling, public service and constructive journalism. 

The Journey:  Since the launch of the podcast, a new episode is released every Sunday at 2 pm on Delhi Police’s official social media platforms, presenting short, immersive narratives ranging from three to eight minutes. 

Genre of the Podcasts:  Over the course of 200 episodes, Kissa Khaki Ka has showcased a wide spectrum of real police experiences - from rescuing kidnapped children and busting drug cartels to exposing scams, preventing cyber fraud, reuniting families, investigating murders and protecting vulnerable communities. Each episode highlights the courage and moral integrity of the force, humanizing the uniform and strengthening public trust.

The USP of Kissa Khaki Ka:  At a time when true crime podcasts are hugely popular among young listeners, Kissa Khaki Ka offers a refreshing and meaningful alternative. Instead of focusing only on crime, it highlights the human side of policing - showing officers who go beyond their duty to help, protect and uplift others. Each episode brings forward a positive story, whether it’s an officer opening a school for underprivileged children or someone risking their life to save another. In a world where negative content often gets the most attention, Kissa Khaki Ka stands out by reminding audiences that compassion, courage and integrity still exist. This is what makes the podcast unique: it tells real stories of crime and justice while celebrating the humanity behind the uniform.

Format, Narration and Storytelling: This podcast series has become the signature and brand of Delhi Police. The podcast emphasizes transparency, accountability and the human side of policing, making it a powerful model of constructive and solution-oriented journalism. Kissa Khaki Ka is also embracing AI to enrich its visual storytelling. 

Inclusion of background sounds and ambient noise adds a layer of authenticity to the storytelling. The bite-sized format of each episode allows for convenient consumption without compromising on the subject matter of the podcast. Kissa Khaki Ka podcast is posted weekly (every Sunday) on all the social media platforms of Delhi Police, including YouTube and Spotify. This makes it accessible to a wide range of listeners, thus enabling it to shape attitudes and perceptions towards law enforcement and crime prevention.


Impact and Relevance:  Kissa Khaki Ka has evolved into far more than a weekly narrative - it has become a social intervention that reshapes how citizens perceive policing, justice and public service. By amplifying real stories of courage, complex investigations and unseen acts of humanity, the podcast compels listeners to look beyond newspaper headlines and witness the emotional, ethical and moral weight carried by police personnel every day. Its thoughtful storytelling challenges long-held police stereotypes, encourages dialogue on system gaps and empowers citizens to reflect critically on issues of crime, safety and accountability. 

AI Integration 

Kissa Khaki Ka is also embracing AI to enrich its visual storytelling. For episodes that involve victims’ stories or sensitive cases, AI tools are used to generate representational, non-identifiable images that preserve privacy while adding emotional depth to the narrative. These visuals help convey the mood, context or setting of a case without revealing real faces or compromising dignity. Listener analytics supported by AI help the team understand engagement patterns and refine storytelling styles. While the soul of the podcast continues to rest in authentic police stories and Dr. Vartika Nanda’s empathetic narration, AI tools play an important supporting role, making the podcast immersive and more accessible for diverse audiences.

In a time when public trust in institutions is increasingly fragile, Kissa Khaki Ka restores confidence by portraying the police as problem-solvers, protectors and compassionate responders. Through its transparent portrayal of the force - its vulnerabilities, strengths, failures and triumphs - the podcast not only humanizes the uniform but also inspires communities to participate in building a safer and more just society. With every episode, Kissa Khaki Ka proves that storytelling can ignite reform, bridge divides and awaken a collective sense of responsibility, making it one of the most impactful public-communication initiatives in the country today.

The Road Ahead:  According to Shri Sanjay Tyagi, Additional CP, Delhi Police, Kissa Khaki Ka has contributed in  transforming public perception through authentic communication. Sub Inspector Neelam Tomar and her team create this magic every week.  

As Kissa Khaki Ka steps into its next phase, it continues to inspire millions with stories that celebrate integrity, dedication and the spirit of the police force. With its 200-episode milestone, the podcast reinforces its role as a meaningful public outreach tool and a testament to the power of storytelling in nation-building.

Statement from Professor (Dr.) Vartika Nanda

Speaking on the milestone, Dr. Nanda shared, “Reaching 200 episodes is not just a numerical achievement; it reflects the continued commitment of Delhi Police to tell stories of service, sacrifice and humanity. Each episode celebrates the courage of officers who work tirelessly for public safety and well-being.”

The Delhi Police leadership also lauded the initiative for transforming public perception through authentic communication. The podcast, they noted, has helped bridge the gap between law enforcement and citizens by highlighting everyday acts of bravery and compassion of these unsung heroes that often go unnoticed.

References and Citations

Podcasts:


Blog:


Press:


Websites:

Vartika Nanda’s website: https://vartikananda.com/delhi-police/



Buy Radio in Prison Towards New-Age Reform Book Online at Low Prices in India | Radio in Prison Towards New-Age Reform Reviews & Ratings - Amazon.in

In Print:

Samachar 4 Media: दिल्ली पुलिस के पॉडकास्ट ‘किस्सा खाकी का’ ने पूरे किए 200 एपिसोड | Podcast Kissa Khaki Ka Celebrates 200 Episodes - Samachar4media
YouTube: दिल्ली पुलिस ने बनाया रिकॉर्ड। आवाज और किस्सा। Kissa Khaki Ka। Delhi Police। Vartika Nanda - YouTube


2026: Phase 1 of Kissa Khaki Ka from 16 January, 2022 to 16 January, 2026: दिल्ली पुलिस के पॉडकास्ट ‘किस्सा खाकी का’ ने पूरे किए 4 साल, 206 एपिसोड
  • दुनिया के किसी पुलिस विभाग का इकलौता नियमित पॉडकास्ट
  • इसका संचालन दिल्ली पुलिस की सोशल मीडिया टीम करती है
  • इसकी किस्सागो हैं- दिल्ली विश्वविद्यालय के लेडी श्री राम कॉलेज की प्रमुख प्रोफेसर वर्तिका नन्दा
  • अकादमिक शोध के लिए एक बेहतरीन विषय बन रहे हैं यह पॉडकास्ट

दिल्ली पुलिस के पॉडकास्ट ‘किस्सा खाकी का’ ने 4 साल और 206 अंक पूरे कर एक महत्वपूर्ण उपलब्धि हासिल की है। जनवरी 2022 में शुरू हुई इस पहल ने पॉडकास्टिंग की दुनिया में एक महत्वपूर्ण स्थान बना लिया है। यह पॉडकास्ट आम लोगों और पुलिस के बीच की दूरी कम करने की दिशा में एक प्रभावी कम्युनिकेशन माध्यम साबित हुआ है।

‘किस्सा खाकी का’ उन सच्ची कहानियों को सामने लाता है, जिन्हें अक्सर मीडिया में जगह नहीं मिलती—जैसे किसी बच्चे को अपहरण से बचाना, साइबर ठगी रोकना, अपराधियों को पकड़ना या मानवीयता पर आधारित प्रकरण।  इसने पुलिस की छवि को सिर्फ कानून-व्यवस्था से जोड़ने के बजाय एक संवेदनशील और जनसेवा वाली संस्था के रूप में भी प्रस्तुत किया है।

यह पॉडकास्ट दिल्ली पुलिस की सोशल मीडिया टीम द्वारा तैयार किया जाता है। पूरी परियोजना पुलिस आयुक्त सतीश गोलचा, विशेष पुलिस आयुक्त (क्राइम) देवेश श्रीवास्तव और अतिरिक्त पुलिस आयुक्त संजय त्यागी के निर्देशन में चल रही है।

इस पॉडकास्ट की शुरुआत उस समय हुई थी जब दिल्ली पुलिस का नेतृत्व राकेश अस्थाना के पास था। बाद में यह पहल संजय अरोड़ा के कार्यकाल में आगे बढ़ी और वर्तमान पुलिस आयुक्त सतीश गोलचा के नेतृत्व में एक मजबूत पहचान बना चुकी है।
पॉडकास्ट की कहानियां लेडी श्रीराम कॉलेज, दिल्ली विश्वविद्यालय में पत्रकारिता विभाग की प्रमुख और मीडिया शिक्षिका प्रोफेसर (डॉ.) वर्तिका नंदा की आवाज में पेश की जाती हैं। वह जेल सुधार कार्यों और अपने ‘ तिनका तिनका जेल रेडियो’ के लिए भी जानी जाती हैं। 

हर रविवार दोपहर 2 बजे दिल्ली पुलिस के आधिकारिक सोशल मीडिया प्लेटफॉर्म्स पर इसका नया एपिसोड जारी होता है। 3 से 8 मिनट के इन एपिसोड्स में सच्ची घटनाओं पर आधारित कहानियां सुनने को मिलती हैं।

यह पॉडकास्ट सिर्फ अपराधों की कहानी नहीं बताता, बल्कि उन अनकही इंसानी भावनाओं और प्रयासों को भी सामने लाता है, जिनमें पुलिस कर्मी अपने कर्तव्य से आगे बढ़कर लोगों की मदद करते हैं।

डॉ. वर्तिका नंदा के अनुसार, आज जब ‘ट्रू क्राइम’ कंटेंट तेजी से लोकप्रिय हो रहा है, ऐसे समय में ‘किस्सा खाकी का’ एक सकारात्मक विकल्प के रूप में उभरा है। यह सिर्फ घटनाएं बयान नहीं करता, बल्कि भरोसा, संवाद और पारदर्शिता को भी बढ़ावा देता है। कई लोग इसे कंस्ट्रक्टिव जर्नलिज़्म का उदाहरण मानते हैं, जो समाज में सकारात्मक बदलाव और जागरूकता का संदेश देता है। इन पॉडकास्ट पर अकादमिक शोध किए जाने चाहिए।

अतिरिक्त पुलिस आयुक्त संजय त्यागी के अनुसार, ‘यह पॉडकास्ट जनता में पुलिस के प्रति विश्वास मजबूत करने में महत्वपूर्ण भूमिका निभा रहा है। इस श्रृंखला को बनाने में एसआई नीलम तोमर और उनकी टीम का भी अहम योगदान है, जो हर सप्ताह नए एपिसोड तैयार करवाती है। 200 एपिसोड पूरा होने के साथ ही ‘किस्सा खाकी का’ सिर्फ एक पॉडकास्ट नहीं, बल्कि दिल्ली पुलिस की पारदर्शिता, संवेदनशीलता और जनसंवाद का प्रतीक बन चुका है।’

दिल्ली पुलिस शुरू के 50 अंकों पर एक सुंदर कॉफी टेबल बुक का प्रकाशन कर चुकी है। इससे पुलिस स्टाफ का मनोबल खूब बढ़ा है। नेशनल बुक ट्रस्ट से प्रकाशित डॉ. वर्तिका नन्दा की किताब - रेडियो इन प्रिजन- में भी उन्होंने किस्सा खाकी का वर्णन किया है। 

Feb 13, 2026

Press Council of India: Issues and Challenges

 Introduction

The Press Council of India (PCI) stands as the cornerstone of press ethics and journalistic standards in India. Established as a statutory, quasi-judicial body, the PCI plays a crucial role in maintaining and improving the standards of newspapers and news agencies in the world’s largest democracy. This report delves into the structure, functions, and impact of the PCI, exploring its role in shaping media ethics and addressing the evolving challenges in the Indian media landscape.


Historical Context of The Press Council of India

The idea of a press council in India was first mooted in 1956 by the First Press Commission. However, it wasn’t until 1966 that the Press Council of India was established through the Press Council Act, 1965. The council was conceived as a mechanism for the press to regulate itself, ensuring freedom of speech while maintaining responsible journalism.


Structure and Composition of the Press Council of India

The Press Council of India is a statutory body with a unique composition that reflects its role as a bridge between the press, the public, and the government.


The Press Council Act, 1978, in Section 5(1), specifies the composition of the Council:


“The Council shall consist of a Chairman and twenty-eight other members.”


The Chairman is traditionally a retired judge of the Supreme Court of India. The members include:


13 working journalists, of whom six shall be editors of newspapers and remaining seven shall be working journalists other than editors

Six persons from among persons who own or carry on the business of management of newspapers

Five members of Parliament, of whom three shall be nominated by the Speaker of the House of the People and two shall be nominated by the Chairman of the Council of States

Three persons having special knowledge or practical experience in respect of education and science, law, and literature and culture

This diverse composition ensures that various stakeholders in the media ecosystem are represented in the Council’s deliberations and decisions.


Legal Framework and Mandate

The Press Council of India derives its authority from the Press Council Act, 1978. This Act outlines the Council’s objectives and functions.


Section 13(1) of the Act states the objects of the Council:


“The objects of the Council shall be to preserve the freedom of the Press and to maintain and improve the standards of newspapers and news agencies in India.”


The Act empowers the PCI to:


Help newspapers and news agencies maintain their independence

Build up a code of conduct for newspapers, news agencies, and journalists

Keep under review any development likely to restrict the supply and dissemination of news of public interest and importance

Concern itself with developments such as concentration of or other aspects of ownership of newspapers and news agencies that may affect the independence of the press

Norms of Journalistic Conduct

One of the most significant contributions of the PCI is the formulation of the Norms of Journalistic Conduct. These norms serve as guidelines for ethical journalism in India.


The Norms cover various aspects of journalistic practice, including:


Accuracy and fairness

Pre-publication verification

Caution against defamatory writings

Parameters of the right of the press to comment on the acts and conduct of public officials

Critics and reviews

Privacy of public figures

Conjecture, comment, and fact

Newspapers to eschew suggestive guilt

The Norms state:


“The fundamental objective of journalism is to serve the people with news, views, comments and information on matters of public interest in a fair, accurate, unbiased, sober and decent manner.”


Complaint Mechanism and Adjudication Process

The PCI acts as a moral watchdog for the press. It has established a robust mechanism for addressing complaints against the press for violation of journalistic ethics or public interest.


The complaint process involves:


Filing of complaint: Any person can file a complaint with the PCI against a newspaper, news agency, editor, or journalist for breach of journalistic ethics.

Inquiry: The PCI conducts an inquiry into the complaint, giving both parties an opportunity to be heard.

Adjudication: After the inquiry, the PCI can warn, admonish, or censure the newspaper, news agency, editor, or journalist.

Section 14(1) of the Press Council Act states:


“Where, on receipt of a complaint made to it or otherwise, the Council has reason to believe that a newspaper or news agency has offended against the standards of journalistic ethics or public taste or that an editor or working journalist has committed any professional misconduct, the Council may, after giving the newspaper, or news agency, the editor or journalist concerned an opportunity of being heard, hold an inquiry in such manner as may be provided by regulations made under this Act and, if it is satisfied that it is necessary so to do, it may, for reasons to be recorded in writing, warn, admonish or censure the newspaper, the news agency, the editor or the journalist or disapprove the conduct of the editor or the journalist, as the case may be.”


Key Areas of Focus

Over the years, the PCI has focused on several key areas to maintain press ethics and standards:


Paid News: The PCI has been at the forefront of efforts to combat the menace of paid news, where advertisements are disguised as news content.

Media Trials: The Council has repeatedly cautioned against media trials that can potentially influence the course of justice.

Sensationalism: Guidelines have been issued to curb sensationalist reporting, especially in cases involving crime and violence.

Fake News: With the rise of digital media, the PCI has increasingly focused on the issue of fake news and misinformation.

Landmark Decisions and Recommendations

The PCI has made several landmark decisions and recommendations that have shaped media ethics in India:


In the case of “Paid News” (2010), the PCI observed:


“Paid news is a complex phenomenon and has acquired different forms over the last six decades. It goes beyond the corruption of individual journalists and media companies and has become pervasive, structured and highly organized.”


Regarding sting operations, in its report on “Privacy, Secrecy and Sting Journalism” (2007), the PCI noted:


“Sting operations showing bribery of public officials or entrapment of public figures in compromising situations cannot be justified on grounds of public interest unless there is prima facie evidence of wrongdoing.”


Challenges and Criticisms of Press Council of India

Despite its crucial role, the PCI faces several challenges and criticisms:


Limited Powers: The PCI’s powers are limited to admonishment and censure. It cannot impose fines or cancel licenses.

Exclusion of Electronic Media: The PCI’s mandate is limited to print media, excluding television and digital news platforms.

Government Influence: There are concerns about potential government influence on the PCI’s functioning, given that some members are nominated by the government.

Press Freedom and the Press Council of India

The PCI plays a dual role of preserving press freedom while also ensuring responsible journalism. It has often spoken out against attempts to curb press freedom.


In its report on “Safety of Journalists” (2015), the PCI stated:


“Freedom of the press is an integral part of freedom of expression, which is recognised as a fundamental human right… Any attack on journalists is an attack on freedom of press.”


Digital Media and Evolving Challenges

The rise of digital media has presented new challenges for press ethics and regulation. While the PCI’s direct mandate does not cover digital media, it has been vocal about the need for ethical standards in online journalism.


In its report on “Fake News” (2020), the PCI recommended:


“There is an urgent need to equip the reader to distinguish between news and fake news, and between news and views.”


International Comparisons

India’s Press Council model differs from press regulatory bodies in many other countries. For instance, the UK’s Independent Press Standards Organisation (IPSO) is a voluntary regulator, while the Australian Press Council is an independent body funded by its members.


Conclusion 

The Press Council of India plays a vital role in maintaining press ethics and journalistic standards in India. Through its norms of journalistic conduct, complaint adjudication mechanism, and periodic recommendations, the PCI has significantly contributed to shaping the ethical landscape of Indian media.


However, the rapidly evolving media ecosystem, particularly the rise of digital platforms, presents new challenges. The limited powers of the PCI and its exclusion of electronic and digital media from its purview are issues that need to be addressed to ensure comprehensive media ethics regulation in India.


As India continues to navigate the complex interplay between press freedom, responsible journalism, and the challenges posed by new media technologies, the role of the Press Council of India remains crucial. The ongoing debates around the expansion of its mandate and powers underscore the need for an evolving approach to media ethics regulation in the world’s largest democracy.


Moving forward, striking the right balance between self-regulation and statutory oversight, while adapting to the digital age, will be key to ensuring a free, fair, and responsible press in India. The Press Council of India, with its rich history and experience, is well-positioned to lead this evolution, provided it receives the necessary support and empowerment to address the challenges of 21st-century journalism.


Link: https://bhattandjoshiassociates.com/press-and-media-ethics-in-india-the-press-council-of-india/

Feb 12, 2026

Bicycle Thieves: Semester 6: Film Review

Bicycle Thieves (1948) is a landmark Italian neorealist film about a poor, unemployed father in post-World War II Rome, Antonio Ricci, who finally gets a job hanging posters but needs a bicycle for it, only to have it stolen on his first day, leading him and his young son on a desperate, heartbreaking search through the city to find it, highlighting themes of poverty, survival, and the struggle of the common man in a devastated society. 


The 3rd year students of Department of Journalism, LSR were given a practical assignment to write detailed review of the movie Bicycle Thieves.

Stories: 2025

Circle Jail Shivpuri Inmate Aaram’s Skill Initiative Transforms Prison Furniture Unit

Shivpuri, Madhya Pradesh | Tinka Tinka India Awards 2025

Circle Jail, Shivpuri, has emerged as a powerful example of reform through skill development, with the inspiring work of Aaram (34)—a convicted inmate serving a life sentence since 2022—now receiving national recognition under the Tinka Tinka India Awards 2025 – Special Mention (Male category).

Aaram, who has been lodged in Circle Jail Shivpuri since 2022, voluntarily joined the jail’s furniture manufacturing unit soon after his incarceration. With formal education up to Class 8, his journey is marked not by prior training, but by discipline, responsibility, and a willingness to learn.

From Volunteer to Trainer

Recognising his dedication and craftsmanship, jail authorities, especially Ramesh Arya, Superintendent of the jail, entrusted Aaram with greater responsibility. His consistent performance led to a critical role: training fellow inmates in furniture-making skills. Under his guidance, multiple inmates have been trained in carpentry, finishing, and production processes.

Today, the jail’s furniture industry is functioning efficiently, producing items such as tables, chairs, beds, sofas, and dining furniture—many of which are supplied to government offices and institutions. The unit has also become a structured training space where inmates acquire employable skills, preparing them for reintegration into society.

A Model of Reform in Shivpuri Jail

Aaram’s work has directly contributed to:

  • Revitalisation of the jail’s furniture workshop
  • Skill training for multiple inmates on a continuous basis
  • Productive engagement of prisoners in meaningful labour
  • Improved discipline, teamwork, and morale within the jail

His efforts reflect the core philosophy of reformative justice, where prisons become spaces of transformation rather than mere punishment.

Links:  https://tinkatinka.org/results-announced/, https://www.youtube.com/watch?v=ewoo5AP8OM4

Recognition at the National Level

In recognition of his contribution, Aaram was recommended for and awarded the Tinka Tinka India Award 2025. The award honours inmates whose constructive work brings positive change in correctional institutions and sets examples of responsibility, leadership, and self-improvement.

Link: Aaram receiving the award: Tinka Tinka India Awards। 2025। Celebration in Shivpuri, मध्य प्रदेश। जेल। Tinka Tinka Foundation. – YouTube

Woman’s Era: Circle Jail Shivpuri Inmate Aaram’s Skill Initiative Transforms Prison Furniture Unit – Woman’s era Magazine

About the Initiative

Started in 2015 by Professor (Dr.) Vartika Nanda, head, Department of Journalism at Lady Shri Ram College, and Founder of Tinka Tinka Foundation, Tinka Tinka India Awards celebrate creativity, skill, and reform inside Indian prisons, highlighting stories that often remain unseen. These awards are sole awards in India that honour the talents of prison inmates and prison staff together, annually. 18 inmates were chosen for Tinka Tinka India Awards, 2025 across three categories: Painting, Special Mention, and Bandini. Aaram was one of them. 

Aaram’s journey from a volunteer inmate to a trainer and leader in Circle Jail Shivpuri stands as a testament to what structured opportunities, trust, and human dignity can achieve.